Howards End by E. M. Forster

Howards End

E. M. Forster (Adult Classic Fiction)

Considered by many to be Forster’s masterpiece, Howards End is the story of three families in early 20th century England: the Wilcoxes—wealthy, classist, and materialistic capitalists who bear no responsibility for their wrongful actions; the Schlegels—well-intentioned, learned, middle-class siblings who believe in personal accountability and are willing to defy societal protocols to do what is right; and the Basts—lower-class and poor, they seek a better way of life that always seems to be just out of reach.

Just shy of 250 pages, this book took me an inordinate amount of time to finish. The reason is probably best summed up by American economist Herbert A. Simon when he said, “…a wealth of information creates a poverty of attention.”

For me, one of the trickiest things about writing book reviews is that I try to take into account when the book was written, as well as its audience and intent. I refuse to be THAT reviewer who reads a children’s book and then writes that a talking dog is utterly unrealistic. However, I take into equal account how the book made ME feel. Did I connect with the story and characters? Did it leave an impression? Most importantly, is it a story that I would read again?

There is no doubt that Forster accurately depicts the political, social, and philosophical landscape of post-Victorian England and that his elaborate descriptions and attention to detail were the ultimate, exotic passport for his readers when it was published in 1910; however, the deluge of details are simply overwhelming and drowned out, what I felt, was the overall message of the story. Near the very end of the book, when asked about the health of her husband, eldest sibling Margaret Schlegel said to her sister Helen, “Not ill. Eternally tired. He has worked very hard all his life, and noticed nothing.” Both the Wilcoxes and the Basts were so blinded by trying to be better versions of themselves, that they failed to see the bigger picture—Henry Wilcox denying a dying wish to maintain control or Leonard Bast refusing an act of benevolence to maintain an ideology.

The one saving grace of this book is Margaret Schlegel—the matriarch of her little family. Her resistance to yield to patriarchal and societal rules and demands is her greatest virtue and an ever-present point of contention in her marriage. She is loyal, direct, tactful, and resolute and although she longs for equality, she understands well enough why some women “prefer influence to rights”.

Howards End is indeed a beautiful book and worthy of critical praise. Unfortunately, I agree with Aesop in that It is possible to have too much of a good thing. Less is more sometimes.

Rating: 3/5

* Book cover image attributed to: www.abebooks.com

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A Raisin in the Sun by Lorraine Hansberry (Play)

A Raisin in the Sun

Lorraine Hansberry (Play)

In his poem “Harlem”, Langston Hughes wrote: What happens to a dream deferred? / Does it dry up / like a raisin in the sun?

As far as dreams go, the Younger family has plenty: Walter Lee wants to leave his life as a chauffeur and become a businessman; his sister, Beneatha, has aspirations of becoming a doctor; Ruth, his wife, wants to escape their roach-infested apartment and give her son a bed of his own; and Mama dreams of having a bit of ground—just enough to plant some flowers. But dreams are for other people until Mama receives an insurance check in the mail. A check that might finally be the answer to everything the Younger family ever dared to dream.

This review is based on the play with a forward written by Robert Nemiroff. This edition is the most complete ever published—restoring two scenes that were before unknown to the public. I can’t imagine anything being removed from this classic work. Each scene is a masterpiece in storytelling—carefully developing each character to expose their vulnerabilities and insecurities and examining their struggle to break free from ties that bind them economically, socially, and culturally.

Hansberry’s opening words allow us to feel the weight and heaviness that this family shoulders. They epitomize the words “poor, but proud” and it’s clear that every-day life has taken a toll on them. Hansberry even makes the furniture tired as it too seems to realize the futility of hope: The Younger living room would be a comfortable and well-ordered room if it were not for a number of indestructible contradictions to this state of being. Its furnishings are typical and undistinguished and their primary feature now is that they have clearly had to accommodate the living of too many people for too many years—and they are tired. Still, we can see that at some time, a time probably no longer remembered by the family (except perhaps for Mama), the furnishings of this room were actually selected with care and love and even hope—and brought to this apartment and arranged with taste and pride.

A Raisin in the Sun is an homage to the African-American family struggling for something better and wanting nothing more than to be treated with respect and dignity. It tackles the women’s movement and civil rights head-on through a pair of siblings who are naïve, headstrong, likeable, and well-meaning: one trying to find her place in the world and the other attempting to find his place within the family. Although this play was first produced in 1959, it is still relevant today as millions of Americans live at or below the federal poverty line and minorities continue to struggle with social and economic inequities.

Throughout the play, Hansberry has Mama nurturing a small plant that she places outside the sole window of the family’s apartment. Like her own family, the plant struggles to thrive despite the constant care given it. The plant is dear to Mama as it represents the closest thing to a garden that she would likely ever have. Unlike her children, she doesn’t need a business or a career or a house to make her happy. All she wants is a small patch of dirt so that she could watch something grow. It seems that Minne Aumonier, an 18th century poet, had the same idea in mind when she wrote, “When the world wearies and society fails to satisfy, there is always the garden.” Like we always suspected, Mama really does know best.   

Rating: 5/5

* Book cover image attributed to: www.amazon.com

Tuck Everlasting by Natalie Babbitt (J Fantasy)

Tuck Everlasting

Tuck Everlasting

Natalie Babbitt (Juvenile Fantasy)

Winnie did not believe in fairy tales.  She had never longed for a magic wand, did not expect to marry a prince, and was scornful—most of the time—of her grandmother’s elves.  So now she sat, mouth open, wide-eyed, not knowing what to make of this extraordinary story.  It couldn’t—not a bit of it—be true.  And yet…

Ten-year-old Winnie Foster lives with her father, mother, and grandmother in Treegap.  They were the first family in the area and laid proud claim to Treegap wood and the touch-me-not cottage that laid on its outskirts.  She was the only child in the household and, on this particular day, she was bored.  And hot.  And it’s only the first week in August.  After being pecked at by both her mother and grandmother, Winnie ventures outside to seek solitude.  But peace won’t be hers that day for a man in a yellow suit comes up to the iron fence and is looking for a family.  He also has a particular interest in their wood.  Winnie has never ventured outside the fence let alone into the wood.  Maybe she can find some solitude there.  And who knows?  Maybe she’ll find something interesting.

Written in 1975, Tuck Everlasting has sold over 5 million copies and is considered a modern classic in children’s literature.  It’s the story of the Tuck family—father and mother (Angus and Mae), and brothers Miles and Jesse—who drink from a spring in Treegap wood and inadvertently discover immortality.  They’ve been able to keep their secret safe until a chance encounter with Winnie Foster threatens everything they’ve been concealing.  Tuck Everlasting is folkloric in nature and woven with bits of fantasy, drama, and a touch romance.  It’s written for ages 10 and up and its broad-based themes of sacrifice, friendship, loyalty, love, and family ensures a very wide appeal.

Babbitt delivers a detailed and beautifully told story that is rich in symbolism.  Watch for the toad that pops up throughout various points in Winnie’s story.  He’s more than just a convenient friend and marks notable shifts in Winnie’s maturity.  There are also numerous mentions of imprisonment or feeling trapped.  At one point, Winnie recalls a verse from an old poem (Richard Lovelace’s 1642 poem “To Althea, from Prison”) which goes, “Stone walls do not a prison make, / Nor iron bars a cage.”  Winnie feels imprisoned by her mother and grandmother (and the literal iron bars that surround her yard) while the Tucks are prisoners of time itself.  Both are trapped, but Winnie alone has any future chance of escape.

Tuck Everlasting was a quick read packed with moral lessons and questions (Would you want to live forever?).  The only criticism I had was that the ending felt forced and rushed.  Babbitt spent such an inordinate amount of time painting this detailed image of the wood and the Tucks into our minds, that the end fell a little flat.  This was one of those stories that an additional twenty pages might have helped give a more ample and satisfying conclusion rather than a one- to two-page condensed summary that wrapped everything up.  It just left this wonderful journey feeling incomplete and inadequate.

In closing, I will repeat a bit of wisdom that Miles imparted to Winnie, “People got to do something useful if they’re going to take up space in the world.”  During my limited time of taking up space in this world, it is my hope that my reviews and insights provide you with something useful and perhaps even help you discover a book and a story that will stay in your heart forever.

Rating: 4/5

*Book cover image attributed to www.target.com

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Top 10 Picks for 2019

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Below is our annual Top 10 Picks for 2019.  This year, we’ve added an Honorable Mention list since there were SO many great books for younger readers, we simply couldn’t leave these little gems out.  We hope you find this list is helpful in choosing some books to read in 2020 and look forward to sharing more great dusty jackets in the upcoming year.  Happy reading!

The Dusty Jacket’s Top 10 Picks for 2019*

Adult Fiction/Biography

  1. Anne of Green Gables, My Daughter & Me (Memoir) by Lorilee Craker (reviewed January 2019)
  2. The Bell Jar by Sylvia Plath (reviewed January 2019)
  3. The Kitchen Boy: A Novel of the Last Tsar by Robert Alexander (reviewed January 2019)
  4. Memoirs of an Invisible Friend by Matthew Dicks (reviewed February 2019)
  5. Chosen By a Horse (Memoir) by Susan Richards (reviewed March 2019)
  6. The Dogs of Babel by Carolyn Parkhurst (reviewed April 2019)
  7. The Human Comedy by William Saroyan (reviewed May 2019)
  8. The Art of Racing in the Rain by Garth Stein (reviewed June 2019)
  9. Mr. Timothy by Louis Bayard (reviewed October 2019)
  10. Saints at the River by Ron Rash (reviewed December 2019)

Juvenile/Young Adult

  1. I Don’t Know How the Story Ends (YA Historical Fiction) by J. B. Cheaney (reviewed January 2019)
  2. Alchemy and Meggy Swann (YA Historical Fiction) by Karen Cushman (reviewed January 2019)
  3. Bud, Not Buddy (J) by Christopher Paul Curtis (reviewed March 2019)
  4. An Elephant in the Garden (YA Historical Fiction) by Michael Morpurgo (reviewed March 2019)
  5. The Wheel on the School (J) by Meindert DeJong (reviewed April 2019)
  6. The Lightning Dreamer (YA Historical Fiction) by Margarita Engle (reviewed April 2019)
  7. King of the Wind (J Historical Fiction) by Marguerite Henry (reviewed May 2019)
  8. Return to the Willows (J) by Jacqueline Kelly (reviewed June 2019)
  9. The Hundred Dresses (J) by Eleanor Estes (reviewed August 2019)
  10. The Boy Who Harnessed the Wind (J Biography) by William Kamkwamba (reviewed September 2019)

Honorable Mention

Silent to the Bone (YA) by E. L. Konigsburg (reviewed February 2019)

The Birchbark House (J) by Louise Eldrich (reviewed February 2019)

Abel’s Island (J) by William Steig (reviewed March 2019)

Bed-Knob and Broomstick (J) by Mary Norton (reviewed April 2019)

Bluefish (YA) by Pat Schmatz (reviewed July 2019)

Adam of the Road (J) by Elizabeth Janet Gray (reviewed August 2019)

 

*List contains selections reviewed in 2019

 

The Human Comedy by William Saroyan

The Human Comedy

The Human Comedy

William Saroyan (Adult Fiction)

In a small town in Ithaca, California, during World War II, there lived the Macauley family—Mrs. Macauley and her four children: Marcus, Bess, Homer, and Ulysses.  Marcus is serving in the army, Bess is attending college, Homer is determined to be the fastest telegraph messenger in the West, and young Ulysses, who at four years old, is enamored with everything in his very small world.  The Macauleys are workers, dreamers, and God-fearing folks who are living each day to its fullest while trying to find their own particular place in the world.  For Homer, it’s a time of hurdle races, playing catch, and riding his bike, but with the war and the grim news printed on each incoming telegram, he’s finding it increasingly difficult to put off manhood any longer.

This novel was billed as a coming-of-age story, but it truly is so much more.  With its short chapters—almost vignettes—The Human Comedy gives us a humorous and bittersweet peek into the lives of the citizens of Ithaca.  The elderly telegrapher fearing retirement, the son fighting in a war that he doesn’t understand, the town simpleton with a naïve heart of gold, a young boy with big dreams and ambitions, the teacher trying to impart a sense of civility and kindness into her students.  All of these wonderful characters’ stories are stitched together to form a tightknit community that mourns their fallen, cheers their heroes, comforts their sick, and opens their doors (and hearts) to strangers.

The Human Comedy is considered semi-autobiographical as many of the novel’s characters and situations are based on real-life people and events from Saroyan’s childhood.  Like Homer, Saroyan was a second-generation Armenian immigrant who lost a father quite early in life and worked as a telegraph messenger while a teenager.  Interestingly, The Human Comedy began as a screenplay written by Saroyan, but while Metro Goldwyn Mayer was filming the movie, Saroyan decided to turn his screenplay into what would become his first novel.

One of the novel’s youngest characters, Ulysses, gains great pleasure and satisfaction from the simplest things.  He often runs alongside the train as it travels through his town, waving to its occupants who always ignore our young man.  On one occasion however, a black man sees Ulysses and returns his wave while shouting, “Going home, boy—going back where I belong!”  The Human Comedy is a story of love, loss, decency, humanity, and kindness, but most of all, it is a story about home and the people we are blessed to call family.

Rating: 5/5

*Book cover image attributed to www.goodreads.com

 

Pudd’nhead Wilson by Mark Twain

puddnheadwilson

Pudd’nhead Wilson

Mark Twain (Adult Fiction)

Thomas Paine once said, “Titles are but nicknames, and every nickname is a title.”  Whichever you choose to use—title or nickname—one thing is for certain and that is Mr. David Wilson has got himself a doozy.  David Wilson is a lawyer and a newcomer to Dawson’s Landing, a slaveholding town on the Missouri side of the Mississippi River.  Since irony is apparently lost on the good folks of Dawson’s Landing, Mr. Wilson’s first (and last) attempt at humor falls somewhat flat and results in the people thinking their newest citizen is a fool; therefore, it is only reasonable that they give him the equally fitting nickname of “Pudd’nhead”.  Fortunately, what Pudd’nhead lacks in comedy he more than makes up for with fads.  He has a penchant for palmistry and finger marks and is so enamored with the latter, he goes all around town collecting as many as he can from anyone he meets.  Little does he know how useful these marks will prove to be when a case of mistaken identity, a series of robberies, and a brutal murder will ultimately point to the fact that perhaps Pudd’nhead Wilson isn’t such a fool after all.

Pudd’nhead Wilson is part murder mystery, part social commentary, and part psychological study of nature versus nurture.  Combined, it’s a humorous and thought-provoking story of good intentions, broken promises, honor, love, and the ultimate price of sin.  Twain gives us a story of two babies—one free and one slave—who were switched at birth and grow up according to their station in life.  The slave is bound to his master while the other is bound by his uncle’s and society’s expectations.  Twain also delivers one of the most infuriating and insufferable characters ever to grace the written page (honestly, you just want to reach in and give him a good wallop).  Our young Tom, who has been given every privilege imaginable, is crass, spoiled, smug, selfish, ungrateful, untrustworthy, and cowardly.  If ever there was a character truly deserving of a comeuppance, it would be Tom.

Mark Twain was born in the slave state of Missouri and slavery was a central theme in his writings.  However, Pudd’nhead Wilson doesn’t focus so much on slavery as it does on two men and how their lives are ultimately determined by the cradle in which they sleep.  A simple switch and both lives are irrevocably changed forever.  One man is given everything only to squander it away while the other is given nothing, but makes the most of what little life has to offer.  Pudd’nhead Wilson is a commentary on grace versus greed, dignity versus disgrace, and affection versus apathy and Twain delivers it all masterfully.  But of course, Mark Twain would know a thing or two about fools.  After all, it was he who gave us the quote, “It is better to keep your mouth closed and let people think you are a fool than to open it and remove all doubt.”  Oh, if only Pudd’nhead had known.

Rating: 5/5

*Book cover image attributed to www.goodreads.com

 

 

 

Balzac and the Little Chinese Seamstress by Dai Sijie

Balzac and the Little Chinese Seamstress

Balzac and the Little Chinese Seamstress

Dai Sijie (Adult Fiction)

It was in early 1971 when two “city youths”—ages 17 and 18—were banished to the mountain known as the Phoenix of the Sky.  Boyhood friends, they were to be re-educated as part of Chairman Mao’s Cultural Revolution in China.  If they were fortunate, they would be reunited with their families after two years.  But they were not the offspring of average parents.  Instead, their parents—professional, respected, educated—were classed as enemies of the people, and their chances of release currently stood at three in a thousand.  So, the two spent their days laboring in the paddy fields, working in the mines, or carrying human and animal waste on their backs.  But one fateful day, their village headman sent them to the district of Yong Jing.  That journey would culminate with the princess of Phoenix Mountain, a miller, and an author named Honoré de Balzac.

Dai Sijie himself was re-educated and spent between 1971 to 1974 in the mountains of Sichuan Province.  His experiences undoubtedly gave this novel its authenticity, depth, and richness.  I knew very little of Mao Zedong’s 10-year movement to preserve Chinese Communism through the cultural eradication of capitalism and tradition.  Needless to say, the results were disastrous: economically, politically, and societally.  Sijie gives us a glimpse of the isolation, fear, and hysteria suffered by those who were sent away through the eyes of our 17-year old narrator (unnamed) and his 18-year friend, Luo.  When the two come across a hidden collection of translated Western classics, their worlds expand as they are introduced to the foreign feelings of lust, jealousy, revenge, and honor.  Matters are further complicated when they share these novels with the local tailor’s daughter, the Little Seamstress.

I truly enjoyed this book and found it as light and airy as a basting stitch.  It read like a well-crafted fable and the scenes were sewn together seamlessly.  It was a delightful read that reinforces the idea that the written word is often just as powerful suppressed as it is unleashed.  Albert Einstein said, “A little knowledge is a dangerous thing.  So is a lot.”  Balzac and the Little Chinese Seamstress reminds us that once a book is opened, so is the mind and when the mind is opened, the heart takes flight.  Perhaps for this reason alone, there are still those in the world who wish books to remain closed.

Rating: 4/5

* Book cover image attributed to www.amazon.com