Little Face by Sophie Hannah

Little Face

Little Face

Sophie Hannah (Adult Fiction)

**Contains spoilers**

Imagine you leave your newborn at home with your spouse for just a few hours.  When you return, the front door is slightly ajar, your spouse has just awakened from a nap, and in your nursery lies a beautiful and perfect baby…only this baby is not yours.  Your baby is gone and life suddenly stops.  It’s every mother’s worst nightmare only this nightmare is now Alice Fancourt’s reality.  Her infant, Florence, has been mysteriously replaced with another baby and no one believes her—not the police, not her mother-in-law, and not even her husband, David.  Everyone attributes her hysteria to some kind of postpartum shock or psychosis, but when Alice and Florence disappear without a trace only a week later, suddenly this strange case takes an even stranger and unexpected turn.

Little Face is a provocative thriller that explores and examines the complex lives of two very different mothers: one willing to do anything to keep her family together and the other doing the unimaginable to keep her family safe.  It’s a story filled with action and suspense that delves into some rather weighty topics such as depression, sociopathic tendencies, emotional and psychological manipulation, and obsessive-compulsive personality disorder.  The action is kept at a heightened pace with chapters alternating between the day of Florence’s disappearance to the next week when both Alice and Florence vanish.  Narration switches from first-person (Alice) to third-person so we’re able to both clearly understand what Alice is thinking while also being able to view the effects of her decisions and actions through an impartial lens.  While Hannah effectively delivers an intense and absorbing psychological thriller, the only issue I had was with the characterization of her husband David.  Hannah chose to make this individual unseemly sadistic and his treatment of his wife, regardless of her credibility or sanity, is nothing less than barbarous and inhumane.  We are given a glimpse into his background and gather that his mother is overly controlling and protective of him, but that doesn’t justify his sudden spiral into depravity and the unexplained erosion of his both his humanity and morality.  The reader is literally blindsided with this side of him and this character trait appears to have been included for the sheer and sole sake of shock value.

American civil rights activist Rosa Parks once said, “There is just so much hurt, disappointment, and oppression one can take… The line between reason and madness grows thinner.”  Little Face demonstrates just how thin this line truly is by showing us what extraordinary measures a person is able and willing to take in order to protect whatever or whoever is most precious to them.

Rating: 4/5

*Book cover image attributed to www.amazon.com

 

The Bell Jar by Sylvia Plath

The Bell Jar

The Bell Jar

Sylvia Plath (Adult Fiction)

Esther Greenwood knew something was wrong with her that summer, and it wasn’t just the electrocution of the Rosenbergs or all the non-stop talk surrounding it.  She was supposed to be having the time of her life.  She was in New York and living the high life—a far cry from her 19 years living in a small New England town.  It was the summer of 1953 and what Esther knew for certain was that one of her troubles was Doreen.

Published in 1963, The Bell Jar was poet Sylvia Plath’s first and only novel.  Weeks after her book’s publication, Plath committed suicide at the age of 30.  Given that Plath’s personal struggles with money and depression parallels those of her main character, it is understandable why many view The Bell Jar as being semi-autobiographical.  Although this book deals with grave and bleak issues, Plath’s poetic prowess shines through giving readers a story that is poignant yet subtly lighthearted.  Although Plath’s future as a novelist would never be fully realized, she managed to give us a heroine that epitomized the women of her day.  The feminist movement saw its beginnings in 1963 and Plath put Esther right on the front lines—questioning societal views on conformity, conservatism, femininity, marriage, and family.

Much has changed since the release of The Bell Jar, but the increasing number of individuals diagnosed with depression or anxiety, as well as the rise in suicides, continue to make this novel timely and relevant.  Throughout the story, told in first-person narrative, Esther often describes herself as existing inside a bell jar: continually experiencing isolation and detachment from the outside world, always feeling that she is on display and expected to be more than she is or ever will be, and constantly struggling to be “perfect”.  When Esther learned that the famous novelist, Philomena Guinea, would be willing to pay for her treatment and education, Esther could conjure up neither gratitude nor any amount of relief: “I knew I should be grateful to Mrs. Guinea, only I couldn’t feel a thing.  If Mrs. Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn’t have made one scrap of difference to me, because wherever I sat—on the deck of a ship or at a street café in Paris or Bangkok—I would be sitting under the same bell jar, stewing in my own sour air.”

Esther Greenwood is a young woman trapped in a life that she is tired of living, yet afraid of leaving.  During her story, I often found myself silently cheering those times when the seal of her bell jar was lifted just enough to allow a bit a fresh air to seep through.  It was during these times that I hoped Esther, and others who suffer under their own bell jar, would be able to momentarily experience a feeling of joy, worth, and hope.

Rating: 5/5

*Book cover image attributed to www.barnesandnoble.com