This Boy’s Life: A Memoir by Tobias Wolff

This Boy’s Life: A Memoir

Tobias Wolff (Adult Memoir)

It was 1955 and we were driving from Florida to Utah, to get away from a man my mother was afraid of and to get rich on uranium. We were going to change our luck.

Ten-year-old Toby “Jack” Wolff dreams of escape and freedom. He dreams of transformation. Traveling with his mother from Florida to Utah in their Nash Rambler, their prospects finally seem bright and expansive. The future was theirs for the taking…that is if their luck changed which, in Toby’s case, seems highly unlikely.

Tobias Wolff’s memoir is not one of those redemptive stories where everyone links arms and watches the sunset over the mountain or one where friends and family cheer as our young hero makes his way across the stage, grabs his diploma, and raises it high into the air signaling triumph. This is another kind of story where the reader bangs their head against the wall as our young protagonist continues to make one horribly bad decision after another. Where the hero doesn’t learn from his mistakes and continually seems to disappoint everyone around him except himself. This horribly flawed and painfully real boy is the reason why I fell in love with this book.

Former UCLA basketball coach John Wooden once said that the true test of a man’s character is what he does when no one’s watching. A lot of what Wolff includes in his memoir could certainly have been softened or even omitted in order to allow the reader to have just a small bit of sympathy for him and his circumstances. Instead, he goes full bore and gives us all the ugly, raw, and sordid details of his early years. He deprives us of feeling any sense of pity although we understand that he is but a product of a mother who continues to be drawn to poisonous men and friends that are a whisper away from juvenile detention.

Throughout this book, Wolff explains that he craved distinction, that he only wanted what he couldn’t have, and that he was merely living off of an idea that he had of himself. Although we understand and accept this, we still ache when he tries to please a parent who neither deserves or earns it and hold our breath and silently curse as we realize yet again that another opportunity has been squandered away. Through all of his pain and suffering, Wolff reminds us that life is messy. It’s gnarled. It’s complicated. Life sometimes is just like that…especially this boy’s life.

Rating: 4/5

* Book cover image attributed to www.amazon.com

I Don’t Know How the Story Ends by J. B. Cheaney (YA Historical Fiction)

I Dont Know How the Story Ends

I Don’t Know How the Story Ends

J. B. Cheaney (Young Adult Historical Fiction)

“The first I heard of Mother’s big idea was May 20, 1918, at 4:35 p.m. in the entrance hall of our house on Fifth Street.  That was where my little sister ended up after I pushed her down the stairs.”

Matilda Ransom was tired of the dreariness of Seattle and the restlessness of her daughters and decided that the three of them would spend the summer in California.  Isobel (Izzy) wasn’t too keen on the idea, but between her father being in France serving in the Great War and her constant bickering with her little sister, Sylvie, her mother’s mind was made up.  The family was off to visit Aunt Buzzy in Los Angeles.  Izzy would soon find herself pulled away from the security of her books and thrust into the world of early Hollywood—filled with silent screen stars, bigger-than-life directors, Keystone Cops, a moving panorama, and a headstrong boy determined to make a name for himself in film.  For a girl who loves to tell stories, this summer would undoubtedly provide Izzy with more than enough content.

Historical Fiction is my favorite genre, so when I see an interesting topic written especially for younger readers, I am beyond thrilled.  Being surrounded by everything digital, it was a joy to escape to Hollywood’s earliest years and learn more about the world of the silent screen.  Cheaney introduces her readers to such directorial deity as D. W. Griffith, Mark Sennett, and Cecil B. DeMille, as well as screen legends Charlie Chaplin, Douglas Fairbanks, and Mary Pickford.  Cheaney allows us to be a part of the action by giving us a first-hand look at staging, lighting, makeup, filming, and post-production editing.  We often forget just how skilled and talented these early filmmakers were and I, for one, am grateful to her for reminding us of their groundbreaking brilliance.

In addition to the glamour and glitz of Hollywood, this book also examines the reality of a world at war and the brave men who returned home, but forever left a part of themselves on the battlefield.  During a particularly difficult moment, Izzy’s friend, Sam, once said to her, “Some film can’t be cut” meaning that some things just can’t be fixed and some matters can’t be undone.  While the entire book is informative and entertaining, it is the last few pages that are the most touching, emotional, and poignant.  For the first time, Izzy sees her story told and knows exactly how it ends.  Izzy’s Aunt Buzzy once told her, “Life is like that—the strangest or most unwelcome, even the saddest things that happen can come to make sense in the end.”  Like the movies in early Hollywood, Izzy’s story didn’t need any sound.  All it needed was a picture…a picture of what true love really looked like.

“Remember how small the world was before I came along?  I brought it all to life: I moved the whole world onto a 20-foot screen.”—D. W. Griffith, Director, Writer, Producer.  Thank you for making the world a whole lot bigger Mr. Griffith.

Rating: 5/5

* Book cover image attributed to www.goodreads.com