Tag: PTSD

The Girl in the Garden by Melanie Wallace (Adult Fiction)

The Girl in the Garden

Melanie Wallace (Adult Fiction)

A widowed landlord. A young, abandoned mother. An elderly woman with a tragic past and her estranged daughter. A Vietnam veteran who bears the scars of war. A town patriarch and sage longing for a family. The lives of these damaged and vulnerable individuals converge in a small eastern town in the 1970s. Bleak, repentant, and tragic, their stories tell of unrequited love, repressed shame, and regret, but as their paths become intertwined, each begins to experience acceptance, forgiveness, and a second chance at happiness.

The Girl in the Garden is a first for me in that this novel—brimming with characters and dialogue—contains no quotation marks. Not a single one. Although Wallace’s writing technique is unique and immersive, this continuous stream-of-consciousness style of writing was both intensive and exhausting:

So, Claire said, the question of the day is: are you a good driver? And that caught Sam off-guard, for it meant she’d learned if not from Leonard then maybe from George—who rarely spoke in sentences that could be understood, his speech being as garbled as his mind, but then Claire had a way of making people intelligible, who knew how?—that Sam wasn’t blind in the eye over which he always wore a patch that also covered his eyebrow and some of his scarred, dented cheekbone.

This book feels more like a mind dump rather than a cohesive story and the constant ramblings often pushed my attention span to its breaking point; however, there are some endearing characters and relationships that keep the story interesting and smooths the rough patches a bit. And although this garden seems to be mercilessly overrun with tangles of ivy and carpetweed, the occasional rose manages to emerge for those readers patient and diligent enough to push through.

Rating: 3/5

* Book cover image attributed to: www.abebooks.com

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Speak by Laurie Halse Anderson (YA Fiction)

Speak

Laurie Halse Anderson (YA Fiction)

It’s Melinda Sordino’s first year at Merryweather High. A time of change and cliques, of fitting in or being left out, and lots of ups and downs and possibly even a few sideways. But for Melinda, her year is already beginning with a dark cloud hanging over her. While other teens are covering up their acne, Melinda is covering up her shame of being raped…and it’s not easy. Every fiber in her being wants to scream out and tell the world what happened to her, but why speak when nobody—not even your best friend—wants to listen?

Speak is the very reason why I immediately have to get my hands on a book as soon as it’s been challenged or banned. It’s like a bat signal that drones over and over again read me read me read me. Published in 1999, Speak was ranked 60th on the American Library Association’s list of Top 100 Banned/Challenged Book for 2000-2009 and 25th for 2010-2019 for its inclusion of rape and profanity, deemed biased against male students, and blasted for containing a political viewpoint. I am shaking my head so furiously right now that I’m awaiting our local meteorologist to report a 6.5 magnitude tremor for my area any minute now. The profanity is mild, a fellow student stands up to a teacher who is trying to stifle a class debate, the girls in the book come off WAY harsher than the boys, and the rape scene is as follows: …he smells like beer and mean and he hurts me hurts me hurts me and gets up and zips his jeans and smiles. Feel that? I think that tremor may have hit 6.8 by now.

This is a gritty, raw, painful, and ultimately inspiring book about a young girl desperately trying to piece her life and sanity back together after it was gutlessly and maliciously ripped apart—her innocence robbed one summer night on the wet, dark ground. Told from Melinda’s point of view adds another layer to this complex and haunting story that shouldn’t be banned, but instead handed out to every teenager on the planet. By banning this book, the “powers that be” are truly no different than Melinda’s friends who choose to excommunicate her as she brings light to an unfortunate truth…that some individuals are just bad, no matter how attractive the packaging might be. Anderson’s message is far too important to ban to a dark corner. They say light is the best disinfectant and this book needs to be on every bookshelf and in every hand and hopefully there is a teacher or parent or trusted advisor there to read alongside to offer insight, context, and comfort.

I’ve never pored through a book so quickly before and that’s simply because Anderson ensnares you from the very first page with her poem “Make Some Noise”. More chills await as you slowly understand the significance of the cover design as Melinda’s story begins to stretch and her truth desperately reaches upward toward the sun so that it may live rather than die in darkness. I hope this book finds the right hands and that any Melinda out there finds someone like Melinda’s art teacher, Mr. Freeman, who says, “You’re a good kid. I think you have a lot to say. I’d like to hear it” because then, maybe, that would open up the door for someone to speak.

Rating: 5/5

* Book cover image attributed to: www.abebooks.com

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Slaughterhouse-Five by Kurt Vonnegut

Slaughterhouse-Five

Slaughterhouse-Five

Kurt Vonnegut (Adult Fiction)

By all measures, Billy Pilgrim would be considered a lucky fellow.  He’s survived the bombing of Dresden in 1945, a POW camp, and a mountainside plane crash.  He’s married, has children, and enjoys financial security as a successful optometrist.  But, Billy also time jumps, which can prove inconvenient at times.  He’s also been kidnapped by aliens and taken to another planet where he spends his time as a zoo exhibit.  Did I mention that he’s in the sights of a hired assassin?  It’s just another day in the life of Billy Pilgrim.

Slaughterhouse-Five is considered semi-autobiographical as Vonnegut shares many of the same military experiences as his main character.  His novel is an anti-war dark comedy that delivers a bitter social commentary on the pitfalls of free will and the destructive nature of man.  It also flirts with being a bit anti-American since the description of the American POWs—as compared to the other detainees—are far less flattering and the particular slaughterhouse (Slaughterhouse-Five) chosen to hold the Americans was once used to house pigs.  Although Vonnegut was born and raised in Indiana, this novel and its message were undoubtedly influenced by the current events of the late 60s: Woodstock, the Vietnam War, the Civil Rights Protests, and the assassinations of John F. Kennedy and Martin Luther King.  Vonnegut lays it all out there and has no qualms letting us know that he was none too pleased about the current states of affairs at that time.

Vonnegut’s novel was selected by the Modern Library as one of the 100 best novels of all time, although I personally found it difficult to enjoy.  Given the time of its publication (1969), I understand the sentiments that Slaughterhouse-Five articulates, but I think less would have been more in this case.  Combining the firebombing of Dresden with time travel and then adding alien abduction on top of it left the story feeling disjointed and haphazard.  Just when the reader is feeling engrossed in a particular storyline, we are catapulted to a different time or planet.  It’s like trying to stand on the deck of a ship during rough seas and not seeing any sign of calm waters on the horizon.  Rather than being able to admire the overall view, you just want the voyage to be over so you can return to solid, stable ground.

Vonnegut also uses a lot of sensory imagery and phrasal repetition to reinforce the feeling of pain, the approach of danger, or the smell of death.  He is particularly partial to the phrase “So it goes” and one individual even took the time to count each occurrence…which turned out to be 106.  These three simple words always followed a mention of death and served as a convenient means of topic transition; however, by the fiftieth time you’ve seen it, it begins to lose its impact and has outlived its intended purpose.  Solid ground never seemed so far out of reach.

With all of the blatant anti-war messaging found throughout the book, I thought nothing stated Vonnegut’s intended message more simply and effectively than a rather benign scene where Billy jumped back in time and was watching a late movie.  It was running in reverse and showed American bombers during WWII.  As Billy watched, planes once pockmarked with bullet holes were suddenly pristine, German fighter planes were busy sucking bombs back into their holds, smoke and fire were lifted from the ravaged city, crewmen and civilians were again healthy and whole, and the dangerous minerals used to make those deadly weapons of war were safely restored back to the ground and no longer a danger.  Unfortunately, we know all too well that this didn’t happen.  So it goes.

Rating: 3/5

*Book cover image attributed to www.amazon.com