Tag: coming-of-age

Olive’s Ocean by Kevin Henkes (J Fiction)

Olive’s Ocean

Kevin Henkes (J Fiction)

Twelve-year-old Martha Boyle and her family were leaving on their annual vacation to the Atlantic coast when a woman appeared on the Boyle’s doorstep. She introduced herself as Olive’s mother, one of Martha’s classmates who had recently been killed. She handed Martha a folded piece of paper from Olive’s journal. As Martha read the note written by a girl she barely knew, she was struck by just a few simple sentences: I hope that I get to know Martha Boyle next year (or this summer). I hope that we can be friends. That is my biggest hope. These kind words filled with expectation would alter Martha’s world view forever as she mourns a friendship that never was and never will be.

I raised my child on Kevin Henkes’ mouse books: Chester’s Way, Owen, Wemberly Worried, and others. Each helped me reinforce the value of friendship and the importance of acceptance, handling your emotions, self-reliance and many other life lessons. When I saw that Olive’s Ocean was a Newbery Honor book, I wasn’t really surprised. What DID surprise me was that it ranked 59th on the American Library Association’s list of the 100 Most Challenged Books from 2000 to 2009 for its offensive language and sexual explicitness. No wonder Wemberly worried!

Despite the ominous label it carries, Olive’s Ocean is a rather innocuous coming-of-age story about a girl dealing with the customary pre-teen fare: first love, awkwardness, rejection, humiliation, and the constant struggle of trying to figure out who she is and what she wants to be. Pretty safe stuff, but Henkes does nudge the boundaries ever so slightly causing those few, all-important feathers to be ruffled.

The “sexually explicit” reference is a brief explanation to Martha by her older brother of why their parents seem overly affectionate one morning. It seems they were exhibiting “Morning Sex Behavior” and “when they do it in the morning” they get a bit lovey-dovey. Regarding the “offensive language”, there are instances of mild profanity, but nothing too over-the-top for the publisher’s recommended reading age of 10 and up. So, the big questions are: Are EITHER of these inclusions necessary to further the story or develop the characters? No. Could they have been excluded with little to no impact on the overall message? Absolutely. Would Henkes have omitted them if he knew the wrath that awaited him? Maybe. Maybe not. There’s no question that having your book banned instantly puts you on a reader’s radar, but clearly this was not his intent. All in all, these infractions (as most references go) are tame, but clearly remain unforced errors and prompt me to up the recommended reading age by a few years just to be prudent.

As far as stories go, this was a quick read and had several important messages about inclusivity and realizing that the world doesn’t revolve around your own personal cares and needs; however, I would have liked more Olive in Olive’s Ocean and feel that this was an opportunity wasted. The apparent connection between Olive and Martha stated in the synopsis doesn’t quite materialize in the actual book, and it would have been far more interesting if Olive’s story had been developed more deeply to show Martha’s slow and eventual evolution. Still, the targeted audience will find a nice and relatable story, while I was hoping for something a little bit more moving with a deeper and lasting message. I guess if I’m looking for these, I need to go back to the mouse stories.

Rating: 3/5

* Book cover image attributed to: www.abebooks.com

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The Silver Pencil by Alice Dalgliesh (YA Fiction)

The Silver Pencil

Alice Dalgliesh (YA Fiction Newbery Honor)

The silver pencil was a miracle. It was handsome to look at, delightful to use because it never needed sharpening. One had only to change the lead. Janet was sure that she could write almost anything with it. Confidently she sat down at her small table, with clean sheets of paper in front of her and the shining pencil in her hand. To her surprise, exactly nothing happened.

Nine-year-old Janet Laidlaw was a British citizen living on the tropical island of Trinidad. She loved her life in the House on the Hill, but things quickly changed following the sudden death of her beloved father. At thirteen—when most Colonials went off to school—Janet traveled to her mother’s birthplace of England where her world suddenly got a lot bigger. With the promise of new friends and adventures, perhaps her silver pencil wouldn’t be silent for much longer.

Newbery books have always been my “go to” reads. Whether I’m looking for an excellent story for myself or I need a solid recommendation for a young reader, that silver- or gold-foiled sticker always let me know that I had picked out a winner. Unfortunately for me, The Silver Pencil fell short of this assumption. Awarded the Newbery Honor Book distinction in 1945, Alice Dalgliesh’s coming-of-age (and semi-autobiographical) book is about a young girl who travels from Trinidad to England and then to New York while pursuing a career in teaching before ultimately stumbling upon success as a children’s author. This book is meant to mirror Louisa May Alcott’s Little Women, which was Janet’s first introduction to America. Unfortunately, Dalgliesh’s tale didn’t quite rise to the level of its literary inspiration and probably won’t have the same appeal with a young adult audience.

Published in 1944, the beginning of The Silver Pencil is full of racially insensitive and inappropriate cultural references. These obviously didn’t cause a ripple back then, but would clearly result in a tsunami today. Also, Janet’s favorite book is The Story of Little Black Sambo, which she shares repeatedly with youngsters that are in need of fast and effective entertainment. Although the story’s text and illustrations have undergone numerous revisions over the decades, its very title still conjures up negative feelings and emotions. With that being said, the remainder of the book is pretty safe although I felt no attachment to the story and had zero connection to its characters. Despite it being a beautifully written book, the words just hung there and felt lifeless—lacking any sense of warmth or feeling. Even when Janet was dealing with the death of her father, I didn’t feel her pain and loss although she was obviously experiencing it. Her experiences felt more like a list to be checked rather than a life that was lived.

Despite the low rating, I loved how Dalgliesh used stories and storytelling to bridge the gap between cultures and class, to calm the rowdy and connect the displaced, and to bring people together to make the world seem a little bit smaller. They say that the pen is mightier than the sword, but Janet Laidlaw and Alice Dalgliesh showed us that a silver pencil could be just as mighty…if not more.

Rating: 3/5

* Book cover image attributed to www.amazon.com